Call for Proposals: Frictions | IFM2027 | Deadline: January 15

 

IFM Interactive Film and Media Virtual Conference logoIFM2027  •  CALL FOR PROPOSALS

Frictions


9th Interactive Film and Media International Conference

June 8–11, 2027  •  Online via Zoom


Submission deadline  •  Friday, January 15, 2027


Friction occurs when two entities interact and resist each other. Friction produces transformation and differentiation; it produces novelty. Energies transform: opening a squeaky door propagates an abrasive sound; a river’s flow rounds rocks and reshapes the landscape; two hands rub against each other to produce heat.

But what happens when more than one friction comes into play? What possibilities for thinking otherwise emerge when we turn to the plural, frictions? Rather than naming a general principle of physics, the plural foregrounds encounters that are multiple, uneven, and sometimes contradictory.

Frictions operate across bodies, technologies, infrastructures, and institutions; they activate new affective and cognitive registers, opening up new temporalities and scales of engagement. They may interrupt, stall, or irritate; they might provoke, generate, or change. Ultimately, they expose how interactions take place. Frictions reveal the politics of contact itself.

This year’s IFM conference invites scholars, researchers, artists, activists, filmmakers, and practitioners to explore frictions as sites of exchange, struggle, reconfiguration, and possibility. Rather than approaching interaction in terms of seamlessness, transparency, or optimization, this year’s conference asks what it means to attend to the resistances, interruptions, incompatibilities, and possibilities for contact that animate interactive media and its cultures. How intentionally can we bring frictions into design, ethics, or practice?

We welcome proposals that examine frictions among environments, histories, temporalities, and forms of knowledge; work that experiments with friction as a method, intentional design, aesthetic politics or mode of practice; and meditations on the ways interactive media can navigate, intervene, or change the rules of engagement in states of friction.

Topics and approaches

Proposals may engage with, but are not limited to, the following constellations of frictions:

  • Discomfort, agitation; Serendipities, play; 

  • Glitches, bugs, breakdowns

  • Resisting pervasive capture; 

  • Ambiguity, opacity, uncertainty; Asynchrony

  • Vulnerabilities; Disruptions; Slowness, delay, drag

  • Entanglements; Polyphony, dissensus; Opacities, static

  • Miscommunication, misunderstandings, misalignments; 

  • Fault lines, abrasions; Turbulence

Conference information and contact

Website: IFM2027 International Conference

Email: ifmjournal@torontomu.ca  |  interactivefilmconference@gmail.com

Join the IFM mailing list for deadline reminders and community news.

Contributions and submission

We invite scholars and researchers, including faculty and doctoral students, from media, communication, film, digital studies, visual arts, and related disciplines, alongside filmmakers, artists, activists, VR and game designers, and media producers. Proposals addressing Frictions are encouraged; we also welcome topics relevant to the broader IFM community.

Paper presentations

Submit a 350–500-word abstract outlining the argument, research objectives, theoretical framework, methodology, and hypotheses where applicable, together with a biography of approximately 150 words for each presenter.

Application form: IFM2027 Paper Presentation Proposal

Select the “conference paper abstract” section in the submission system.

Research creation presentations

Submit a 500-word project description outlining the research objectives, theoretical framework, methodology, and key achievements; a statement of at least 200 words on its relation to the conference theme; and a biography of approximately 150 words for each presenter. Artist and collective projects are welcome.

Application form: IFM2027 Research Creation Presentation Proposal

Select the “research creation presentation” section in the submission system.

New book presentations

Present a new book and participate in a session on its content and the writing and publishing journey. Submit a book description of no more than 500 words, a reflection on the publishing journey, a theme statement of at least 100 words, and a biography of approximately 150 words for each presenter. Consult the form for eligibility and session details.

Application form: IFM2027 New Book Presentation Proposal. 

Select the “book presentation” section in the submission system.


Complete the appropriate form in English, save it as DOCX, and upload it through the IFM Journal submission system by Friday, January 15, 2027. Applicants will be notified by the end of February 2027.

Free participation and inclusive access

There are no fees for presenting, attending the conference, or publishing in the IFM Journal. IFM is committed to an inclusive, equitable, and accessible environment, with attention to accessibility, gender parity, ethnic diversity, and LGBTQ+ inclusion.

Read Our Commitments for details.

Organizing and scientific committee

Hudson Moura, Chair  •  Toronto Metropolitan University, Canada

Heidi Rae Cooley  •  The University of Texas at Dallas, USA

Stefano Odorico  •  Technological University of the Shannon, Ireland

Dale Hudson  •  New York University Abu Dhabi, United Arab Emirates

Leah Shafer  •  Hobart and William Smith Colleges, USA

Marta Fiolic  •  NOVA University of Lisbon, Portugal

Il Sun Moon  •  Kingston University, UK

Logan Acton  •  The University of Texas at Dallas, USA

Sonali Sharma  •  Jamia Millia Islamia University, India


#IFM NEWSLETTER - Issue 6 - February 2026


Welcome to Issue 6 of the #IFM Newsletter! We are pleased to share key updates as we continue building an international community of scholarship and practice around interactive film and media. As always, we invite you to send us your news, opportunities, and relevant calls.
In this newsletter you can expect:

#Resonances Conversation 
on March 12th


with artists Millie Chen and Arzu Ozkal
on SRS (Silk Road Songbook)

An announcement of a special #IFM2026 panel


“Global Black Feminisms and Interactivity,” moderated by Ar Ducao (they/he) —  panelists to be confirmed next issue



The #IFM2026 accepted submissions


33 papers and 12 research-creations, representing 24 countries, 46 institutions,
and six continents

The unveiling of the new #IFM2026 poster and visual identity:


“Reaching Out,” developed by our design team for the conference’s theme: “Yet-To-Be-Known”





#Resonances conversation with artists
Millie Chen and Arzu Ozkal

Please join your #IFM colleagues on Thursday, 12 March 2026 at 12:00–13:00 EDT (16:00–17:00 GMT) for a #Resonances conversation with artists Millie Chen and Arzu Ozkal on their audio-video installation SRS (Silk Road Songbook), moderated by curators Claudia Costa Pederson and Dale Hudson.

The #Resonances conversations are an extension of the #IFM conference, an opportunity for our community to gather in discussion around our mutual work and interests. The events will feature #IFM members in conversation with artists, scholars, and practitioners.

REGISTRATION (free admission):

Please click here to register for this event.

Millie Chen and Arzu Ozkal’s audio-video installation SRS (Silk Road Songbook) traces the movement of songs along the Silk Routes from Xi’an to Istanbul. The multiscreen installation weaves land and songs, as musical genres and languages maintain cultural identities across the ancient trading routes into the present. As mapped between Ozkal’s and Chen’s ancestral homes, respectively between Turkey and China, the work neither romanticizes nor demonizes these places, but instead moves to include voices absent in Western accounts of the Silk Routes by sounding five acoustic ecologies from the Eurasian migration route, connecting women’s voices and shared ambient sounds of the land.



More info



Ar Ducao's panel on inclusivity and diversity

We are pleased to announce that Ar Ducao (they/he) will moderate a special IFM2026 panel titled “Global Black Feminisms and Interactivity.” 


Ducao is an artist, engineer, educator, and organizer whose work supports underrepresented and incarcerated STEAM learners. At DuKode, they created the Telly Award–winning series The Great Tit is a Bird, and their media and innovation work has been recognized by major institutions and outlets. They are also a co-founder of Multimer and teach with Massachusetts Institute of Technology and NYU Tandon School of Engineering. 


We will announce the confirmed panelists in the next newsletter.



Explore Ar Ducao's work


#IFM2026 Yet-To-Be-Known

accepted submissions - 33 papers and 12 research-creations

#IFM2026 Conference has received an exceptionally strong and intellectually wide-ranging set of submissions. From this remarkable pool, we are pleased to announce 33 accepted papers and 12 accepted research-creations representing 24 countries and approximately 46 institutions, spanning six continents. 


Taken as a whole, these contributions engage “Yet-To-Be-Known” as a generative space of speculative inquiry and creative possibility: they examine emergent forms of interactivity and uncertainty in AI and algorithmic cultures; experimental and participatory archives of memory, dissent, and ecological loss; more-than-human ethics and speculative ecologies; and technologies of resistance that respond to the cascading crises of our present. 


At the conference, our research-creation program will offer a dedicated space to encounter these works firsthand—featuring interactive and immersive projects (including VR/AR, web-based archives, games, and interactive documentary prototypes) and creating opportunities for participants to engage directly with the creators through walkthroughs, demonstrations, and dialogue around process, method, and invention.

List available here

#IFM2026 Poster

The #IFM2026 visual identity, developed through the “Reaching Out” direction by our design team Darius Shah and Anika Vielhauer, materializes Yet-To-Be-Known as an encounter staged at the threshold of the screen: a hand presses forward through a halftone-like veil that simultaneously reveals and obscures, inviting a haptic, exploratory relation to what remains indeterminate. 


Rather than promising clarity, the image foregrounds uncertainty as an experiential condition—an unknown presence that can be sensed before it can be named—thereby aligning with the conference’s commitment to speculation, becoming, and the productive friction between crisis and possibility. 


By combining a bold typographic structure (“YET-TO-BE-KNOWN") with an unsettling-yet-playful tactile metaphor, the design signals a shift toward a more embodied and participatory imagination of interactivity: not as mastery or prediction, but as reaching, testing, and negotiating meaning in real time, at the edge of visibility.



#IFM Newsletter  |  Issue 6 - February 2025

Send your news or inquiries to ifmjournal@torontomu.ca

Communications Coordinator: Leah Shafer

Design: Darius Shah and Marta Fiolić


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#Resonances Workshop: Keep Creating and Share Your Work!

 


A warm thank you to all who attended today’s Stornaway Hands-On Workshop, co-hosted by Stornaway and #IFM community.

We were grateful for the lively participation and the thoughtful questions posed by attendees. The session offered a rich opportunity to explore the creative possibilities of interactive storytelling using the Stornaway.io platform.

Special thanks to Ru Howe and Kate Dimbleby from Stornaway, who generously shared practical tips, introduced new platform features, and answered participants’ questions with enthusiasm and expertise. We are also grateful to Stefano Odorico (#IFM Conference co-organizer) for moderating the discussion and guiding participants through the workshop experience.


Keep Creating and Share Your Work!

If you’re still working on your interactive pilot project—or feel newly inspired—you are warmly invited to submit your piece for feature on the IFM Blog.

Full brief for the Resonances/Stornaway project: Call for Interactive Film 


Submissions – Stornaway Workshop 

You are invited to create an interactive film—Theme: Resonances


Creative Focus 

We encourage you to ground your interactive film in a meaningful sense of place or space. This might include: 

  • Your local community 
  • Your home 
  • Your workplace 
  • Yourself 

Please build your project using Stornaway.io, 

  • Maximum number of story islands: 15 

Production Guidelines 

  • Video length: 1–2 minutes per video 
  • Video format: .mp4 or any standard phone format 
  • Camera: Phone or digital camera (vertical or horizontal orientation accepted) 
  • Aesthetic: Lo-fi and personal styles are welcome 
  • Genre: Open to all film genres 

Submission and further assistance: stefano.odorico@tus.ie

 When your project is published, please email the link to so we can share it on our IFM blog: